SURFACES OF MEMORY
Unfolding across surfaces where inherited visual traditions intersect with contemporary expression, the work stages dialogues between memory and material. Grounded in Turkish miniature painting, ornamental vocabularies, mythology, and the structural logics of the natural world, it renders cultural memory tangible — not as fixed references but as living presences. Each work becomes a space where heritage, nature, and artistic inquiry converge — where past and present coexist — translated with careful attention to line, composition, texture, form, and color, always in search of balance.
Günhan Bozkurt / 2025, Istanbul
.
Though I had never imagined it, the first step in my career was working as a pharmacist. For a short while, I thought I could pursue this profession, but it was a futile effort... There was only one thing in my mind, heart, and soul: painting. While living in the city of Kütahya, I began painting in my master Ahmet Yakupoglu’s atelier. Then one day, I found myself working on miniatures — and what a joy that was! After the miniatures, Iznik tiles captured my heart and mind. I gave up my career as a pharmacist and established my own atelier. I started working on ceramics and holding exhibitions. Meanwhile, I completed my master’s degree in Ancient Ceramics Restoration at the Social Sciences Institute of Mimar Sinan University of Fine Arts.
Today, I continue to work with great enthusiasm every day in my atelier in Beykoz, Istanbul, creating new ceramic artworks.
